In our “Romanticism Beyond the Academy” series, we invite literature-lovers to reflect on the significance of Romantic-era writers and ideas in the contemporary world and/or in their own lives. In the following post, Brian Milthorpe argues that Romantic-sublime notions of limitlessness and metamorphosis in Blake, the Shelleys, and Keats underlie theories of animation. See more entries from this series here. To write
Read More