Keats-Shelley Journal Volume 68 (2019)

We’re pleased to present information about volume 68 of the Keats-Shelley Journal. A subscription to the Keats-Shelley Journal is included with membership in the Association, and previous issues of are available through Project Muse and JSTOR.

Contents

From the Editor 7

Dedication 9

News and Notes [12]

• “A Newly-Discovered Document on the case of Elena Adelaide Shelley” DONATELLA SISTI 32

• “Mary Shelley’s Guido, Genoa, and Janus” SCOTT WIGGINS & ALEXANDER GOURLAY 37 

Articles

• Keats’s Chameleon Poetics, Or, the Natural History of “Ode to a Nightingale” JULIE CAMARDA 40

• Melesina Trench Tests the Moony Waters of Romantic–Era Lunar Fiction in Verse: The Moonlanders (1816) STEPHEN BEHRENDT 72

50 Voices

Ian Balfour, Daniel Block, Julie A. Carlson, Michael Demson, Bakary Diaby, Lindsey Eckert, Greg Ellermann, Emily C. Friedman, William Galperin, Hrileena Ghosh, Evan Gottlieb, Suh-Reen Han, Lenora Hanson, Katherine D. Harris, Arden A. Hegele, Lillian Hochwender, Jerrold E. Hogle, Yohei Igarashi and Allen Riddell, Glenn Jellenik, Richard Johnston, Matthew C. Jones, Jacques Khalip, Joey S. Kim, Travis Chi Wing Lau, Li Ou, Atesede Makonnen, Carmen Faye Mathes, Maureen McLane, Timothy Michael, Alexandra L. Milsom, Omar F. Miranda, Olivia Loksing Moy, Anahid Nersessian, Meiko O’Halloran, Deven M. Parker, Thomas Pfau, Marisa lumb, Padma Rangarajan, Terry F. Robinson, Jack Rooney, Bidushi Saha, Richard C. Sha, Andrew Stauffer, William Stroup, Emily Sun, Lissette Lopez Szwydky, Bethany Thomas, Talia M. Vestri, Leila Walker, Fuson Wang, Chris Washington, Kacie L. Wills, Yin Yuan 94

Reviews

• Susan J. Wolfson. Romantic Shades and Shadows. (ALEXANDER FREER) 197

• Katherine Kernberger, ed. The Leslie A. Marchand Memorial Lectures, 2000–2015: A Legacy in Byron Studies. ( JONATHON SHEARS) 199

• Bo Earle. Post-Personal Romanticism: Democratic Terror, Prosthetic Poetics, and the Comedy of Modern Ethical Life. (GREG ELLERMANN) 203

• Stephen Tedeschi. Urbanization and English Romantic Poetry. (LARRY H. PEER) 205

• Mai-Lin Cheng. British Romanticism and the Literature of Human Interest. (MOLLY DESJARDINS) 207

• Deborah Weiss. The Female Philosopher and Her Afterlives: Mary Wollstonecraft, the British Novel, and the Transformations of Feminism, 1796–1811. (ELIZABETH WAY) 209

• Jacques Khalip. Last Things: Disastrous Form from Kant to Hujar (ANDREW WARREN) 209

• Nikki Hessell. Romantic Literature and the Colonised World: Lessons from Indigenous Translations. ( JENA AL-FUHAID) 211

• Karen A. Weisman. Singing in a Foreign Land: Anglo-Jewish Poetry 1812–1847. (MICHAEL SCRIVENER) 213

• Jonathan Sachs. The Poetics of Decline in British Romanticism. (ANDREW M. STAUFFER) 215

• Anne C. McCarthy. Awful Parenthesis: Suspension and the Sublime in Romantic and Victorian Poetry. Richard C. Sha. Imagination

  and Science in Romanticism. (ALLISON DUSHANE) 216

• Dahlia Porter. Science, Form, and the Problem of Induction in British Romanticism. (JOEL GABRIEL KEMPFF) 219

 Omnibus Review

John Barnard, ed. John Keats: 21st-Century Oxford Authors. Nicholas Roe, ed. John Keats and the Medical Imagination. Anne C. McCarthy et al., eds. The Keats Letters Project. (ALAN BEWELL) 222

Performance Reviews

• Mike Leigh, writer and director. Peterloo. (STEVE POOLE) 227

• Matthew Jarron, organizer. Frankenreads, University of Dundee. (DANIEL COOK) 230

• John Bidwell and Elizabeth C. Denlinger, curators. It’s Alive! “Frankenstein” at 200. ( JULIE CAMARDA) 232

• Haifaa Al-Mansour, director. Mary Shelley: The Life that Inspired “Frankenstein.” (MICHELLE FAUBERT) 234
  

Books Received [237]