Keats-Shelley Journal volume 66

We're pleased to present information about volume 66 of the Keats-Shelley Journal. This latest volume includes articles on previously unpublished Byron letters, Frankenstein’s many puzzles, gender in P. B. Shelley’s The Banquet, quick and slow Romanticisms, and 1816 in Mary Shelley’s and Lord Byron’s manuscripts. There are also three essays devoted to the year 1817, which first came together as the K-SAA's Romantics 200 panel at the 2017 MLA convention, organized by Susan J. Wolfson and William Galperin. Addressing the suspension of habeas corpus, reviews of the Biographia, and the birth of the "Cockney," these three essays remind us, as Wolfson writes in her foreword, that “1817 is not so far away after all.”

A subscription to the Keats-Shelley Journal is included with membership in the Association, and previous issues of are available through Project Muse and JSTOR.

Contents

News and Notes [7-36]

• Charles E. Robinson (1941-2016) [25-28] SUSAN J. WOLFSON
• Shelley’s Translation from an Italian Canzonetta [29-33] VALENTINA VARINELLI
• Did Keats Visit the Bodleian Library? [34-36] JOHN BARNARD

Articles

• Fourteen New Byron Letters [37-54] ADAM FRIEDGEN and ANDREW STAUFFER
• 1816 in the manuscripts of Lord Byron and Mary Shelley [55-76] JANE STABLER
• Frankenstein: The Book that Keeps Throwing up Puzzles [77-87] NORA CROOK
• 1816: Romanticisms Quick and Slow [88-98] JONATHAN SACHS
• Foreword: Forward from 1817 to 2017 [99-109] SUSAN J. WOLFSON
• 1817: The Birth of the Cockney [110-123] CHRISTINE MARIE WOODY
• “A laughable non-performance”: Reviewing the Biographia in 1817 [124-135] CHARLES MAHONEY
• 1817: The Year without Habeas Corpus [136-154] GARY DYER
• Afterword: 2017 Reads 1817 [155-159] WILLIAM GALPERIN
• The Banquet, Gender, and “Original Composition” [160-165] BENJAMIN SUDARSKY

Reviews

• Michael Gamer. Romanticism, Self-Canonization, and the Business of Poetry. (STEPHEN BEHRENDT) [166]
• Joseph Rezek. London and the Making of Provincial Literature: Aesthetics and the Transatlantic Book Trade, 1800-1850. (LESLIE ELIZABETH ECKEL) [167]
• Mark Sandy. Romanticism, Memory, and Mourning. (SAMANTHA MATTHEWS) [169]
• Christopher M. Bundock. Romantic Prophecy and the Resistance to Historicism. (LENORA HANSON) [171]
• Timothy Michael. British Romanticism & the Critique of Political Reason. (SIMON SWIFT) [173]
• Gerard Cohen-Vrignaud. Radical Orientalism: Rights, Reform, and Romanticism. (NIGEL LEASK) [174]
• Alan Bewell. Natures in Translation: Romanticism and Colonial Natural History. (MELISSA SODEMAN) [176]
• Sarah Wootton. Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation. (ANN FRANK WAKE) [178]
• Jacques Khalip and Forest Pyle, eds. Constellations of a Contemporary Romanticism. (ESTHER LESLIE) [180]
• Paula R. Feldman and Brian C. Cooney, eds. The Collected Poetry of Mary Tighe. (ERIN M. GOSS) [182]
• Nicholas Joukovsky, ed. Nightmare Abbey, by Thomas Love Peacock. Freya Johnston, Matthew Bevis, eds., Crotchet Castle by Thomas Love Peacock. (WILL BOWERS) [183]
• Anahid Nersessian, ed. Laon and Cythna by Percy Bysshe Shelley. (MADELEINE CALLAGHAN) [186]

Books Received [189]