Behind the Scenes of “Belle da Costa Greene: A Librarian’s Legacy”

A virtual event featuring 

Erica Ciallela (Harvard Radcliffe Institute &

Philip Palmer (The Morgan Library & Museum)

in conversation with

Olivia Loksing Moy (City University of New York)

Theodore C. Marceau (1859–1922), Belle da Costa Greene, May 1911.
(Biblioteca Berenson, I Tatti, The Harvard University Center for Italian Renaissance Studies

Friday, March 21, 2025

4:00-5:30 p.m. EST

Register on Zoom here

Co-sponsored by the

Princeton Alumni Women of Color Collective

Baruch College Black Male Initiative

Keats-Shelley Association of America and friends

Join us for a virtual conversation and a chance to learn more from Erica Ciallela and Philip Palmer, co-curators of Belle da Costa Greene: A Librarian’s Legacy, currently on display at The Morgan Library & Museum. Focusing on themes of historical erasure and recovery, as well as racial passing, our discussion will explore

·      the impact and intellectual legacy of Richard Greener, Belle Greene’s father and the first Black graduate of Harvard College

·      Belle Greene’s time at Princeton University and her role as a leader and mentor of women in the workplace, and

·      Belle Greene’s notable acquisitions of Keats and Romantic-era materials.

This event is presented to students of the Baruch Black Male Initiative, members of the Princeton Women of Color Collective, and the Keats-Shelley Association of America and friends.  We invite you to engage with our speakers during the question and answer period. Audiences who have recently attended the Belle da Costa Greene: A Librarian’s Legacy exhibition, or who are planning to attend, are most welcome.

Belle da Costa Greene (1879-1950) was the first director of The Morgan Library, J.P. Morgan’s personal librarian, and a prodigious talent of celebrity status who built the impressive collection in the heart of New York City we can visit today. Through her vision, she was also responsible for transforming a private library into an institution for public use and enjoyment in 1904. 

Greene came from a prestigious Black family, though she passed as white for the duration of her career and later life. It wasn’t until archivists confirmed her African American heritage through census records in a 1990s discovery that Greene’s personal history was uncovered. 

Celebrated in The New York Times and recognized throughout the collecting world for her unparalleled expertise and flair, Belle Greene was one of the most prominent professional women of color on the New York book scene – yet could not fully embrace her identity in public light. Greene’s fascinating life has been explored in a biography by Heidi Ardizzone, the creative novel adaptations Belle Greene (2022) and The Personal Librarian (2021), as well as the podcast “Boss Like Belle.”

The Keats-Shelley Association of America invites you to an exciting virtual discussion about Greene’s life and her impact in the world of books and bibliography, as well as this stunning historical example of racial passing. Join Olivia Loksing Moy ‘06 (City University of New York) for a conversation with Erica Ciallela (Harvard-Radcliffe Institute) and Philip Palmer (The Morgan Library and Museum), co-curators of the ongoing Morgan exhibition, to learn about Greene’s family background, key Romantic-era acquisitions of Keats and Shelley as Greene built out the Morgan collection, and the legacy she left as a director mentoring younger women colleagues in the 1920s-1940s in what was then still very much a man’s world.


Belle da Costa Greene: A Librarian's Legacy is on exhibition at The Morgan Library and Museum in NYC until May 4, 2025. A smaller display, Belle da Costa Greene at Princeton, 1901-1905, is on exhibition at Firestone Library at Princeton University, New Jersey through February 2025.

About the Speakers:

Erica Ciallela is Instruction & Outreach Librarian for the Schlesinger Library on the History of Women in America at the Harvard Radcliffe Institute. From 2020-2022, Ciallela was the Belle da Costa Greene Curatorial Fellow at the Morgan, where she processed the early Director’s Office files to create a better understanding of Belle da Costa Greene’s time as Director. From 2023-2024, she was an Exhibition Project Curator for “Belle da Costa Greene, A Librarian's Legacy at The Morgan Library.”

 

Olivia Loksing Moy is an associate professor of English at Lehman College, The City University of New York, where she directs The CUNY Rare Book Scholars. She is Vice President of the Keats-Shelley Association of America and serves on the organizing committee for the Princeton Women of Color Collective. Her published works include The Gothic Forms of Victorian Poetry (2022), Victorian Verse: The Poetics of Everyday Life (2023), and Julio y John: Selections from Imagen de John Keats (2017).

 

Philip Palmer is the Robert H. Taylor Curator and Department Head of Literary and Historical Manuscripts at The Morgan Library & Museum. Before joining the Morgan in 2019, he was Head of Research Services at the William Andrews Clark Memorial Library, UCLA. Palmer curated Belle da Costa Greene: A Librarian's Legacy, along with numerous other exhibitions at the Morgan.

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