News and Notes [7-78] Articles Jailhouse Journalism: Leigh Hunt and the Examiner, 1813-1815. [79-92] Nicki Hessell. Shellyan Lyricism and the Romantic Historicization of Musical Aesthetics. [93-112] Jessica K. Quillin. Vegetarianism and Vitality in the Work of Thomas Forster, William Lawrence and P. B. Shelley. [113-132] Sharon Ruston. Utopian Domesticity as Social Reform in Mary Shelley’s Falkner. [133-147] Melissa Sites. “Virtuous Fraud”: The Perverse Politics of the Caritas Romana Scene in Childe Harold. [148-172] Fiona Wilson. Book Reviews Current Bibliography . . .
News and Notes [7-24] Articles Class and Politics in Keats’s Admiration of Chatterton. [25-38] Beth Lau. “A tissue of fables”: Rousseau, Gender, and Textuality in Godwin’s Fleetwood. [39-60] Anne Chandler. “England Yet Sleeps”: Intertextuality, Nationalism, and Risorgimento in P. B. Shelley’s Swellfoot the Giant. [61-85] Thomas H Schmid. John Keats and ‘The Poison’: Venereal or Mercurial? [86-96] Susan L. Davis. Revising the Revolution: The Festival of Unity and Shelley’s Beau Ideal. [97-126] Lori Molinari. Writing the Self in Others’ Lives: Mary Shelley’s Biographies of Madame Roland and Madame de Staël. [127-151] Lucy Morrison. Book Reviews Current Bibliography . . .
News and Notes [7-48] Articles Oer Leaping the Bounds: The Sexing of the Creative Soul in Shelley’s Epipsychidion [21-49] Ghislaine McDayter Shelley’s Revision of Coleridgean Traditionalism in “Lines Written Among the Euganean Hills” [50-76] Fred V. Randel Revolution or Reaction? Shelley’s Assassins and the Politics of Necessity [77-93] Cian Duffy Dominion of Demeter: Mary Shelley’s Mathilda [94-110] Robert Ready Byron’s “Ode to the Framers of the Frame Bill”: The Embarrassment of Industrial Culture [111-129] Tom Mole Interior Luxury and Poetic Narratives of Identity: From Tighe and Hunt to Keats and Tennyson [130-165] Diego Saglia The Hoggs and the Peacocks: Some Later Correspondence [166-194] Nicholas A. Joukovsky Book Reviews Current Bibliography . . .
News and Notes [7-34] New Keats Letters and an Update [21-29] Grant F. Scott Sorting Byron’s “Windsor Poetics” [30-34] Andrew M. Stauffer Articles “Cortez–or Balboa, or Somebody Like That”: Form, Fact, and Forgetting in Keats’s “Chapman’s Homer” Sonnet [35-75] Charles Rzepka Keats Against Dante: The Sonnet on Paolo and Francesca [76-93] Peter Levine Mary Hays’s “Love Letters” [94-115] Gina Luria-Walker Kingdom of Shadows: Intimations of Desire in Mary Shelley’s Mathilda [116-144] Diana Edleman-Young Shelley and “the Disastrous Fame of Conquerors” [145-173] Michael Ferber Laon and Cythna: A Vision of Regency Romanticism [174-197] J. Andrew Hubbell Book Reviews Current Bibliography . . .
News and Notes [7-26] “A Massive Dramatic Plum Pudding”: The Politics of Reception in the Early Antwerp Performance of Shelley’s The Cenci [14-26] Kris Steyaert Articles “The Science of Letters”: Five Unpublished Mary Shelley Letters [27-34] Betty T. Bennett Contesting Liberty: The Figure of William Wallace in Poems by Hemans, Hogg, and Baillie [35-63] Nancy Moore Goslee “Transformed, Not Inly Altered”: Kosciuszko and Poland in Post-Waterloo Britain [64-83] Thomas McLean Deferred Desire and the Management of Tone in Leigh Hunt’s The Story of Rimini [84-99] Thomas Goggans Introducing Critical Essays: Leigh Hunt and Theater Criticism in the Early Nineteenth Century [100-123] Michael Eberle-Sinatra T.S. Eliot and The Triumph of Life [124-143] Neil Arditi “Making Death a Victory”: Victimhood and Power in Byron’s “Prometheus” and “The Prisoner of Chillon” [144-161] Ian Dennis Book Reviews Current Bibli . . .
News and Notes [7-30] The Region of Beauty and Delight: Walton’s Polar Fantasies in Mary Shelley’s Frankenstein [24-29] Rudolph Beck Articles John Keats and George Felton Mathew: Poetics, Politics, and the European Magazine [31-46] Nicholas Roe Eve’s Dream will Do Here: Miltonic Dreaming in Keats’s Eve of St. Agnes [47-66] Nancy R. Rosenfeld Keats in the Age of Consumption: the “Ode to a Nightingale” [67-84] Proma Tagore A Species of Shop: Peacock and the World of Goods [85-113] James Mulvihill Byron, Italy, and the Poetics of Liberal Imperialism [114-137] Daryl S. Ogden Celestial Temper: Shelley and the Masks of Anger [138-161] Andrew M. Stauffer Attracted by the Body: Accounts of Shelley’s Cremation [162-182] Kim Wheatley Book Reviews Current Bibliography . . .
News and Notes [7-34] From the Life: a Letter from Joseph Severn to John Taylor [20-21] James L. Weil Contemporary Notice of the Shelleys’ History of a Six Weeks’ Tour: Two New Early Reviews [22-29] Benjamin Colbert “The Truth in Masquerade”: Byron’s Don Juan and Walter Scott’s The Antiquary [30-34] Sharon Ragaz Articles Monstrous Inheritance: The Sexual Politics of Genre in Shelley’s St. Irvyne [35-68] Peter Finch The Semiotic Echoes in Percy Shelley’s Poems to Jane Williams [69-89] Paul Vatalaro “Flowers that Mock the Corse Beneath”: Shelley’s Adonais, Keats, and Poetic Influence [90-128] Andrew Epstein Visionary Moments and the March of Time: The Influence of Wordsworth in Childe Harold I and II [129-137] Alan Rawes In the Forest with Anna Akhmatova and John Keats [138-156] Sonia I. Ketchian Proto-Evolutionary Bards and Post-Ecological Critics [157-172] Karl Kroeber Reviews Current Bibliography . . .
News and Notes [7-31] A John Keats Letter Rediscovered [14-18] Dearing Lewis Whose Sadak is Wandering? P. B. Shelley and the Problem of Attribution [18-28] Neil Fraistat Byron’s “Impromptu on a Recent incident”: A New Text of a Regency Squib [29-31] Jeffery Vail Articles Don Juan and the Quest for Deliberate Action [33-62] A.B. England On the Instability of Vessels and Narratives: A Nautical Perspective on the Sinking of the Don Juan [63-86] Joseph A. Dane Killing the Cockneys: Blackwood’s Weapons of Choice Against Hunt, Hazlitt, and Keats [87-107] Emily de Montluzin Tyrannical Monuments and Discursive Ruins: the Dialogic Landscape of Shelley’s Queen Mab [108-141] Jessica Smith Shelley’s The Cenci: Economies of a “Familiar” Language [142-160] Stephen Cheeke Virgil’s Tenth Ecologue and Shelley’s Adonais [161-183] Michael Vicario III Reviews Current Bibliography . . .
[A special issue for the Mary Shelley Bicentenary year] News and Notes [7-22] Special Forum: “Editing Mary Shelley” [23-49] Betty T. Bennett, Nora Crook, Stuart Curran, Charles E. Robinson Articles Newly Uncovered Letters and Poems by Mary Wollstonecraft Shelley: (“It was my birthday and it pleased me to tell the people so–“) [51-74] Betty T. Bennett Mathilda: Mary Shelley’s Romantic Tragedy [75-96] Charlene E. Bunnell “Laughing that I may not weep”: Mary Shelley’s Short Fiction and Her Novels [97-124] A. A. Markley “May they be divided never”: Ethics, History, and the Rhetorical Imagination in Shelley’s “The Coliseum” [125-147] Kevin Binfield The Poet and the Profits: Felicia Hemans and the Literary Marketplace [148-176] Paula R. Feldman Book Reviews Current Bibliography . . .
News and Notes [7-22] A William Godwin Letter, and Young Mary Godwin’s Part in Mounseer Nongtongpaw [16-18] Emily W. Sunstein Mary Shelley’s Rose-Eating Cat, Lucian, and Frankenstein [19-22] Arlene Bowen Articles Keats in the Suburbs [23-43] Elizabeth Jones Writing and Re-writing Incest in Mary Shelley’s Mathilda [44-60] Margaret Davenport Garrett Shelleyan Incest and the Romantic Legacy [61-76] Richard Cronin Shelley’s Imaginative Transsexualism in Laon and Cythna [77-101] Teddi Lynn Chichester Psychological Dialectic in Shelley’s Song of Apollo and Song of Pan [102-117] Thomas Frosch Figures in a Promethean Landscape [118-131] Frederic S. Colwell Time’s Tale: The Temporal Poetics of Shelley’s Alastor [132-155] John F. Murphy Chaos and Evolution: A Quantum Leap in Shelley’s Process [156-194] Hugh Roberts Book Reviews . . .
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