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K-SAA Essay Prize

In order to recognize outstanding scholarship devoted to the writers of our period and the culture in which they lived, the Keats-Shelley Association of America has since 1986 conferred an annual Essay Award. The awards are adjudicated by a three-member committee specially designated by the Board of Directors and are conferred at K-SAA’s annual dinner at the Modern Language Association’s conference. Encomiums for Award winning essays are published in the Keats-Shelley Journal.

Recipients of Keats-Shelley Association Essay Prize

2017: Mark Canuel, “Race, Writing, and Don Juan,” Studies in Romanticism 54.3 (Fall 2015), 303-328.

2016: Yohei Igarashi, “Keats’s Ways: The Dark
Passages of Mediation and Why He Gives Up Hyperion,” Studies in Romanticism 53.2 (Summer 2014), 171-194.

2015: Richard Adelman, “Idleness and Vacancy in Shelley’s ‘Mont Blanc,’” Keats-Shelley Journal 62 (2013), 62-79.

2014: Matthew C. Borushko, “The Politics of Subreption: Resisting the Sublime in Shelley’s ‘Mont Blanc,’” Studies in Romanticism 52.2 (Summer 2013), 225-252.

2013: Scott J. Juengel, “Mary Wollstonecraft’s Perpetual Disaster“; and Rei Terada, “Hegel’s Bearings,” in Romanticism and Disaster, Romantic Circles Praxis Series (January 2012).

2012: Colin Jager, “Shelley After Atheism,” Studies in Romanticism 49.4 (Winter 2010), 611-632.

2011: Nancy Yousef, “Romanticism, Psychoanalysis, and the Interpretation of Silence,” European Romantic Review 21.5 (October 2010), 653-672.

2009: Brendan Corcoran, “Keats’s Death: Towards a Posthumous Poetics,” Studies in Romanticism 48.2 (Summer 2009), 321-48.

2008: Timothy Morton, “John Clare’s Dark Ecology,” Studies in Romanticism 47.2 (Summer 2008), 179-93.

2007: Stephen Cheeke, “‘What So Many Have Told, Who Would Tell Again?’: Romanticism and the Commonplaces of Rome,” European Romantic Review (December 2006).

2005: Mary Favret, “Everyday War” ELH 72.3 (2005), 605-33; and Jennifer Jones, “Sounds Romantic: the Castrato and English Poetics Around 1800,” in Romanticism and Opera, ed. Gillen D’Arcy Wood, Romantic Circles Praxis (May 2005).

2004: Orrin N. C. Wang, “Coming Attractions: Lamia and Cinematic Sensation,” Studies in Romanticism 42.4 (Winter 2003), 461-500.

2003: Charles Rzepka, “‘Cortez–or Balboa, or Somebody Like That’: Form, Fact, and Forgetting in Keats’s ‘Chapman’s Homer’ Sonnet.” Keats-Shelley Journal 51 (2002), 35-75.

2002: Denise Gigante, “Keats’s Nausea,” Studies in Romanticism 40 (2001); Honorable Mention: Andrew Elfenbein, “Byron and the Fantasy of Compensation,” European Romantic Review 12.3 (Summer 2001).

2001: Gary Dyer, “Thieves, Boxers, Sodomites, Poets: Being Flash to Byron’s Don Juan” PMLA 116.3 (May 2001), 562-78; runner-up: Deidre Lynch, “Gothic Libraries and National Subjects” Studies in Romanticism 40.1 (Spring 2001), 29-48.

2000: Tricia Lootens, “Receiving the Legend, Rethinking the Writer: Letitia Landon and the Poetess Tradition,” in Romanticism and Women Poets: Opening the Doors of Reception, ed. Harriet Kramer Linkin and Stephen C. Behrendt. (Lexington, KY: UP of Kentucky, 1999): 242-59.

1999: Noah Herringman, “‘Stones so wondrous cheap'” Studies in Romanticism 37.1 (Spring 1998), 43-62.

1998: Ina Ferris, “Writing on the Border: the National Tale, Female Writing, and the Public Sphere,” in Romanticism, History, and the Possibility of Genre, ed. Tilottama Rajan and Julia Wright (CUP, 1998).

1997: Maureen Noelle McLane, “Literature Species: Populations, ‘Humanities,’ and Frankenstein” ELH 63.4 (Winter 1996), 959-88.

1996: Julie A. Carlson, “Forever Young: Master Betty and the Queer State of Youth in English Romanticism,” South Atlantic Quarterly 95.3 (summer 1996), 575-603.

1995: Sonia Hofkosh, “Sexual Politics and Literary History: William Hazlitt’s Keswick Escapade and Sarah Hazlitt’s Journal,” in At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism, ed. Mary A. Favret and Nicola J. Watson (Bloomington and Indianapolis: Indiana UP, 1994), 125-42.

1994: Jerome Christensen, “The Romantic Movement at the End of History,” Critical Inquiry (Spring 1994), 452-76; and Neil Fraistat, “Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance,” PMLA (May 1994), 409-23.

1993: Anne D. Wallace, “Farming on Foot: Tracking Georgic in Clare and Wordsworth,” Texas Studies in Literature and
Language
34 (Winter 1992), 509-40.

1992: Alan Bewell, “Keats’s ‘Realm of Flora,'” Studies in Romanticism 31.1 (Spring 1992), 71-98.

1991: Margaret Homans, “Keats Reading Women, Women Reading Keats,” Studies in Romanticism 29.3 (Fall 1990), 341-370.

1990: Kim Ian Michasiw, “The Social Other: Don Juan and the Genesis of the Self,” Mosaic 22.2 (1989), 29-48.

1989: Tilottama Rajan, “Wollstonecraft and Godwin: Reading the Secrets of the Political Novel,” Studies in Romanticism 27.2 (Summer 1988), 221-251.

1988: Susan Wolfson, “‘Their she condition’: Cross-dressing and the Politics of Gender in Don Juan,” ELH 54.3 (Autumn 1987), 585-617.

1987: Mark Edmundson, “Keats’s Mental Stance,” Studies in Romanticism 26.1 (Spring 1987), 85-104.

1986: Nancy Moore Goslee, “Shelley at Play: A Study of Sketch and Text in his Prometheus Notebooks,” The Huntington Library Quarterly 48.3 (Summer 1985), 211-255.